The Prose Works of Jonathan Swift, D.D. - Volume 07 Historical and Political Tracts-Irish — Key Ideas to Explore

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Swift, Jonathan, 1667-1745, Scott, Temple, 1864-1939 [Editor] Project Gutenberg 2006 Not confirmed
Ireland -- Politics and government -- 18th century Readers of public-domain and historical texts
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Edition facts

Words 124,721
Reading time 543 min
Text sections 17

This digital edition of The Prose Works of Jonathan Swift, D.D. - Volume 07 Historical and Political Tracts-Irish — Key Ideas to Explore is described by source-level measurements including 124,721 words, 9 hr 3 min estimated reading time, and 17 detected text sections.

The text analysis averages about 30.9 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Ireland -- Politics and government -- 18th century,” connecting these edition facts with the source record’s subject description.

This volume collects Jonathan Swift's Irish political tracts, edited by Temple Scott. The excerpts reveal Swift's satirical voice, use of metaphor, and engagement with Irish Whig-Tory tensions, though the full scope of the tracts is not shown.
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ingbroke had been of too intimate a nature for those in power to ignore him. Indeed, his own letters to Knightley Chetwode[1] show us that he was in great fear of arrest. But there is now no doubt that the treasonable relations between Harley and St. John and the Pretender were a great surprise to Swift when they were discovered. He himself had always been an ardent supporter of the Protestant succession, and his writings during his later period in Ireland constantly emphasize this attitude of his--almost too much so.

The condition of Ireland as Swift found it in 1714, and as he had known of it even before that time, was of a kind to rouse a temper like his to quick and indignant expression. Even as early as the spring of 1716 we find him unable to restrain himself, and in his letter to Atterbury of April 18th we catch the spirit which, four years later, showed itself in "The Proposal for the Universal Use of Irish Manufactures" and the "Drapier's Letters," and culminated in 1729 in the terrible "Modest Proposal for Preventing the Children of Poor People from being a Burthen to their Parents." To Atterbury he wrote:

"I congratulate with England for joining with us here in the fellowship of slavery. It is not so terrible a thing as you imagine: we have long lived under it: and whenever you are disposed to know how to behave yourself in your new condition, you need go no further than me for a director. But, because we are resolved to go beyond you, we have transmitted a bill to England, to be returned here, giving the Government and six of the Council power for three years to imprison whom they please for three months, without any trial or examination: and I expect to be among the first of those upon whom this law will be executed."

Writing to Archdeacon Walls[2] (May 5th, 1715) of the people in power, he said:

"They shall be deceived as far as my power reaches, and shall not find me altogether so great a cully as they would willingly make me."

At that time England was beginning to initiate a new method for what it called the proper government of Ireland. Hitherto it had tried the plan of setting one party in the country against another; but now a new party was called into being, known as the "English party." This party had nothing to do with the Irish national spirit, and any man, no matter how capable, who held by such a national spirit, was to be set aside. There was to be no Irish party or parties as such--there was to be only the English party governing Ireland in the interests of England. It was the beginning of a government which led to the appointment of such a man as Primate Boulter, who simply ruled Ireland behind the Lord Lieutenant (who was but a figurehead) for and on behalf of the King of England's advisers. Irish institutions, Irish ideas, Irish traditions, the Irish Church, Irish schools, Irish language and literature, Irish trade, manufactures, commerce, agriculture--all were to be subordinated to England's needs and England's demands. At any cost almost, these were to be made subservient to the interests of England. So well was this plan carried out, that Ireland found itself being governed by a small English clique and its Houses of Parliament a mere tool in the clique's hands. The Parliament no longer represented the national will, since it did really nothing but ratify what the English party asked for, or what the King's ministers in England instructed should be made law.

Irish manufactures were ruined by legislation; the commerce of Ireland was destroyed by the same means; her schools became practically penitentiaries to the Catholic children, who were compelled to receive a Protestant instruction; her agriculture was degraded to the degree that cattle could not be exported nor the wool sold or shipped from her own ports to other countries; her towns swarmed with beggars and thieves, forced there by the desolation which prevailed in the country districts, where people starved by the wayside, and where those who lived barely kept body and soul together to pay the rents of the absentee landlords.

Swift has himself, in the pamphlets printed in the present volume, given a fairly accurate and no exaggerated account of the miserable condition of his country at this time; and his writings are amply corroborated by other men who might be considered less passionate and more temperate.

This seventh volume of Temple Scott's edition of Swift's prose works gathers historical and political tracts focused on Ireland. The excerpts show Swift deploying a distinctive satirical voice, as when he describes a surgeon who vows to purchase an enemy's corpse for dissection, or when he anatomizes the character of a certain 'Traulus' with surgical precision. The editor's note warns of textual inconsistencies, and the volume's apparatus includes facsimiles and press opinions from the early 1900s.

The catalog subject 'Ireland -- Politics and government -- 18th century' is borne out by Swift's references to Whigs, Tories, Jacobites, and the Hanoverian succession. However, the excerpts also reveal a rhetorical strategy that goes beyond straightforward political commentary, using vivid metaphors of bodily corruption and theatrical betrayal.

Swift's Metaphorical Anatomy

One of the most striking features of the excerpts is Swift's use of bodily and surgical imagery to describe political enemies. He imagines a surgeon who, having been wronged by the Earl of Galway, plans to buy the Earl's corpse, make a skeleton, and exhibit it for threepence. Swift extends this metaphor to a 'political surgeon' who might flay and dissect a living traitor, 'lay open all the disordered cells of his brain, the venom of his tongue, the corruption of his heart, and spots and flatuses of his spleen.' This is not mere insult but a systematic reduction of a person to a specimen, a technique Swift uses to expose what he sees as moral and intellectual decay.

Whig and Tory: A Shared Concern

Swift addresses the political divisions of his time by arguing that Whigs and Tories in Ireland share common interests. He notes that 'old-fashioned stamp' Whigs, loyal to King George II and opposed to the Pretender, are 'often apt to entertain fears' about the state of the country, including 'the decay of trade, the want of money, the miserable condition of the people.' Swift insists these concerns 'do equally concern both Whig and Tory, who if they have anything to lose must be equally sufferers.' This passage suggests that Swift's political writing aims to bridge party lines, at least on issues of economic and social welfare, though the excerpts do not reveal whether this argument is sustained across the volume.

The Character of Traulus and Pistorides

Swift sketches two memorable figures: Pistorides, a 'poor, angry, bustling, well-meaning mortal' who is 'pelted, pestered, and pounded' by a single wag, and Traulus, who possesses a 'miscarrying talent of railing without consistency or discretion.' Swift describes Traulus as someone who, in the midst of caresses and invitations, will 'sputter out the basest and falsest accusations, then to wipe his mouth, come up smiling to his friend, shake him by the hand, and tell him in a whisper, it was "all for his service."' These portraits serve as cautionary examples of political hypocrisy and self-destructive behavior, though the excerpts do not clarify whether they refer to real individuals or are composite types.

Readers approaching this volume should be aware that the excerpts represent only a fraction of the content. The editor's note about inconsistencies suggests that Swift's texts may vary in style and reliability. The political context—Irish governance under George II, the threat of Jacobitism, and party strife—is essential background, but Swift's rhetorical flair often transcends mere partisanship. Pay attention to his metaphors and character sketches, which reveal as much about his satirical method as about the issues at hand.

That rainy afternoon, Swift’s sharp fury over Irish timber and wool felt strangely warm, a voice railing against neglect. I set the volume down and, half-awake, pulled another from the shelf—The Gaelic State in the past & future — A Reader’s Guide. The anger softened there, becoming a quieter, older ache. They spoke to each other across centuries, somehow. I stayed till the light faded.

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